This series is not about a story, nor about a place.
Not about specific faces, nor about significant moments.
In defiance of photography’s desire to capture and eternalize, these images record only one thing: impermanence.

The photographs were taken with a disposable camera, on expired film—tools designed from the start to be unstable.
The result is images full of flaws: light leaks, faded colors, absent clarity.
Yet these flaws reflect the very experience itself—an experience of seeing, without the need to remember; of being, without the urge to remain.

In philosophy, “nothing” is not merely a void; it is the point at which being reveals itself.
Likewise, in this series, what is present gains meaning through what is absent.
What is seen does not matter—absence, faintness, and passing are what remain.

These photographs do not aim to prove anything.
They are neither representations, nor critiques, nor memories.
They simply are—and quickly fade away.

Like the moments that shape life itself:
just as fleeting, as traceless, and as inexplicable.

2024